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Negotiated Moments: Improvisation, Sound, and Subjectivity

  • View an archived Call For Papers for the collection here.
  • View more information on this volume here.

To listen to the musical examples for Chapter Four, Improvising Composition: How to Listen in the Time Between, written by Pauline Oliveros, please visit this page.

There is a curious yet enormously fruitful duality in the way that improvisation plays on our expectations and perspectives.

– Tracey Nicholls