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Negotiated Moments: Improvisation, Sound, and Subjectivity

  • View an archived Call For Papers for the collection here.
  • View more information on this volume here.

To listen to the musical examples for Chapter Four, Improvising Composition: How to Listen in the Time Between, written by Pauline Oliveros, please visit this page.

So one of the things that improvisation has come to mean in the context of highly technological performance is that improvisation is the last claim to the legitimate presence of a human in the performance of music.

– Bob Ostertag