This conference explores the question of the extent to which the social and dialogical practices which are foregrounded in improvisation are themselves bearers of aesthetic effects. At the same time, speakers will consider how social, cultural, economic and political forces condition the aesthetic practices and values of improvised performance. In this way the conference is concerned with re-theorising the nature of the aesthetic in improvisational and related creative practices.
Centered at the University of Guelph (and in partnership with McGill University, the University of British Columbia, and Université de Montréal), this international research project explores musical improvisation as a model for social change. Read more...