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Re-sounding the Counterfeit Frequencies

Jesse Stewart

Published: 2009-05-xx

TEXT: A brief description of the process involved in creating graphic scores for performance at the Hearing-Visions-Sonores exhibition at the 2009 Guelph Jazz Festival and Colloquium. IMAGES: Figures 1 - 5 as referred to in the article.

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There is a curious yet enormously fruitful duality in the way that improvisation plays on our expectations and perspectives.

– Tracey Nicholls